Dark Phoenix 完整版電影 2019- Online 豆瓣

Dark Phoenix 完整版電影 2019- Online 豆瓣

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Dark Phoenix 完整版電影 2019- Online 豆瓣

图标	Dark Phoenix (电影 2019)
持久	162 片刻
发表	2019-06-05
素质	M2V 720P HDTV
文学上的流派和体裁	Science Fiction, Action, Adventure
能力	English
投掷	Mariam P. Ruiz, Bosson O. Jennine, Vander F. Armani

一条艇上的全体运动员 - Dark Phoenix 完整版電影 2019- Online 豆瓣

The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out of control. During a rescue mission in outer space, Jean is nearly killed when she's hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. The X-Men must now band together to save her soul and battle aliens that want to use Grey's new abilities to rule the galaxy.
It’s just a shame that 'X-Men' was never able to live up to its potential in this form. Drawn of clichés, a tired script and a tired cast, it’s a big wet flop of a film where it looked like the cast were just there to collect their cheques. It’s probably something to wait for a digital release and watch on a rainy Sunday afternoon where you can fall asleep during the exhausting middle section and wake up at the mildly less-exhausting end.

If anyone needs me, I’ll be looking for Cyclops, hot choccie, blanket and hug.
- Brent Davidson

Read Brent's full article...
https://www.maketheswitch.com.au/article/review-x-men-dark-phoenix-untapped-potential
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Honestly, I'm going straight to the point, and I'm going to try not to waste anyone's time since that's precisely what Dark Phoenix did. Clearly, no one in the production team cared about this movie. Now, after watching the film, it's pretty easy to understand the reasons behind the constant delays, and the poor marketing campaign (I barely saw anything remotely publicizing this movie). It's not a complete disaster, it's not an absolute mess, but the third act is such a stab into the fans' hearts. Literally, one of the most abrupt endings of the last few years. It really feels like a producer entered the writers' room and said something along the lines of "let's just hurry this up, Marvel Cinematic Universe is right around the corner, nothing of what we do here matters."

I'm not going to lie, it's actually true. No matter how amazing or horrible this film ended up to be, it wouldn't really matter, which is probably the most negative aspect of this Disney-Fox merger. Days Of Future Past is arguably one of the better X-Men installments, but Apocalypse and Dark Phoenix feel such a waste of time because they never really explore what the time-travel event really changed, and now time's up, a complete reboot is coming. The first act of this movie is genuinely remarkable. I felt invested in both the story and characters, I was deeply captivated by what they were doing, and Hans Zimmer's score elevates a specific sequence that on IMAX really shows off both the visual and audio's phenomenal quality.

Until midway through, it's a pretty well-written, well-performed, and exciting film (with occasional minor issues). However, after a risky yet convincing plot point, Simon Kinberg annihilates everything he was working on until then. From this moment on, I can feel the famous merger being signed, and everyone working on this movie just giving up. The writing becomes atrocious, one of the most forgettable and nonsensical villains ever shows up (and I thought that comic-book adaptations were working past the cliche "bad guys"), characters like Quiksilver are barely in the film (why set up his relationship with his father if they never approach that subplot again?), and the ending lasts around three minutes. Three. In this amount of time, they do the equivalent of the last hour of Avengers: Endgame. Now, try to imagine that epic hour of climactic battles crushed into a couple of minutes...

The cast truly tries. Sophie Turner carries this movie with such an emotionally powerful performance that I almost feel that she alone deserved a positive review. James McAvoy (Professor Charles Xavier) continues his streak of gripping displays (if he doesn't get a freaking Oscar in the next years, I'll explode), Michael Fassbender is splendid as Magneto, and Jennifer Lawrence (Mystique) doesn't do much. Nicholas Hoult (Beast) is a pleasant surprise, but Jessica Chastain (Smith) is the only one at fault here. I never felt any interest from the actress in getting into a superhero film, and honestly, it shows. She's definitely the one that couldn't care less about what comes out of this, so she just offers a one-dimensional performance for a pretty lousy villain.

The screenplay is filled with characters making uncharacteristic decisions (they feel unearned), and exposition scenes that don't really do justice to the compelling backstories. Nevertheless, I always feel the need to come back to the ending. I rather have a slow start, but a strong finish than the other way around. Dark Phoenix delivers a fast-paced, entertaining, and captivating first act, but slowly starts to degrade until it culminates with one of the saga's worst third acts. Sure, the action is great, and it's quite well-filmed actually, but it all ends so quickly that you don't have enough time even to try to enjoy it. If it wasn't for Hans Zimmer's score, which completely nailed me to the screen, my brain would have shut itself down before the wrap-up.

It's a shame that such a beloved franchise like the X-Men has to end like this. Simon Kinberg, knowing that the merger was going to happen, should have changed the last half, and risk a lot more, to be honest. If the movie really didn't matter, then they should have tried to do something that was never done before, and go all-out. If it fails, it fails, but at least it would have been remembered as a courageous and powerful film. This way, not only it's a disappointing culmination to a 20-year saga, but it's forgettable. It's not even horrible enough for people to remember how bad it was, it's just ... Meh. If they didn't care, how can they ask the audience to do it for them?

All in all, Dark Phoenix ends up being what everyone feared it would be: a movie that didn't matter, at all. One that didn't even try to pay homage to an extraordinary saga that notably influenced the comic-book genre. The worst of all is that everyone can imagine how great it could have been since the cast is perfect (Sophie Turner shines), Hans Zimmer's score is sumptuous, and the action is riveting. The worst feeling that a fan can have is that disappointment with how the film turned out to be mixed with the frustration due to how well a fan can imagine how amazing it could have been. However, a flawed narrative with a terrible villain and questionable character decisions ruins those dreams. With one of the most abrupt endings of the last years, X-Men reaches its end as an isolated franchise, and it now rests its hopes on Kevin Feige and Marvel co. that the MCU will do the mutants justice.

PS: as you know, I try to avoid trailers as much as I can. After watching Dark Phoenix's ones, I can only advise you to not watch a single one. Not even the first one. Especially that first one! I can't understand how someone approves trailers so spoilery as these ones. Unbelievable.

Rating: C
I don't think this was the disaster that the critics make it out to be, but it is one of the lesser Fox X-Men movies. Both the opening scene where the X-Men rescue astronauts stranded in space and the ending where Magneto and the X-Men fight aliens on a train were well done action scenes. It's the middle that sags a bit. The film lacks energy and emotional impact. Simon Kinberg wrote and directed this second go around of the Phoenix Saga as a way to atone for writing the mediocre The Last Stand. But this film does not really improve on that film at all. I am eager to see Kevin Feige cover the full Phoenix Saga properly in a trilogy. You cannot cram the Phoenix story into one movie. We've barely gotten to know these young versions of these characters from Apocalypse. The worst performance is from Jennifer Lawrence, whose Raven is completely smug and obnoxious towards Prof. X. I was happy when she exited the movie. You can tell she doesn't care about this franchise at all. Beast acts completely out of character and joins Magneto to kill Jean--something he would never do. Quicksilver exits the movie quickly after being injured by Jean and only returns at the very end. His relationship with his father, Magneto, is never addressed. Scott Summers takes orders from Mystique (ugh!) and never shows any leadership abilities. The villains are generic evil aliens who want to use the Phoenix Force to take over the world. They are just bargain basement Skrulls. Then there are the usual continuity errors with other X-Men movies. Apocalypse showed that Phoenix was a part of Jean, just like The Last Stand did. Now we are told that the Phoenix lives outside of Jean and comes from outer space. Also, when you see how things end for Prof. X and Jean in this movie, it's unlikely that either of them would appear at the end of Days of Future Past to greet Logan at the school. Overall, disappointing and the perfect time for Disney to reboot this property.
It's a really good movie with superb graphics and storyline.
***A fuller rendition of the Jean Grey Plot of “X-Men 3” with Sophie Turner***

This is another take on the Jean Grey story of “X-Men: The Last Stand” (2006). That movie was good up until the last act with the conventional battle between the good and bad mutants at Alcatraz Island, which diverged from the more interesting core story concerning Jean. “Dark Phoenix” (2019) has a similar problem in that Jean’s inner conflict between good and evil is the most interesting element, along with the other mutants being troubled by her transformation and trying to figure out how to handle it.

Unfortunately, as with “X-Men 3,” the filmmakers insist on having everything come down to a big battle sequence that’s overlong and predictable, although it’s better and more moving here. A good example of predictableness is when Magneto (Michael Fassbender) utilizes many rifles to shoot Vuk (Jessica Chastain); you know very well that the bullets are going to be totally useless. The ending’s not bad, just tedious and perfunctory, similar to the big battle sequence in “Avengers: Endgame,” albeit less dull. The original climax of “Dark Phoenix” took place in space and had too many similarities to “Captain Marvel,” which beat “Dark Phoenix” to the theaters. So the creators had to reshoot the ending as a battle sequence involving a train, but it didn’t feel tacked on or inorganic, although the Juk/aliens subplot did.

I prefer Sophie Turner to Famke Janssen in the titular role. She’s just an all-around pleasure to behold, although acting-wise she’s not yet up to the caliber of Fassbender, James McAvoy (Xavier) or Jennifer Lawrence (Raven), not even close. In any case, I found the Phoenix story fascinating just as I did with “The Last Stand,” but here it’s more fleshed out, which makes it better in some ways. I just wish the creators would have the gonads to do something fresh rather than strap the conventional “big battle” ending on what could have been a great movie.

If you liked “First Class” (2011), “Days of Future Past” (2014) and “Apocalypse” (2016), “Dark Phoenix” is cut from the same cloth in all-around quality. I prefer “Days” and “Apocalypse,” but “Dark Phoenix” ain’t no slouch, despite what detractors might say; and it’s superior to “First Class.”

The film runs 1 hour, 53 minutes.

GRADE: B+
I don't know if _Dark Phoenix_ is the **worst** entry in the X-Men franchise. I feel like I remember being much more angry walking out of _Last Stand_ than this one. _Dark Phoenix_ didn't really make me "angry"... It didn't make me feel anything I guess. But there was just **nothing** I liked about this. Like, _Apocalypse_ was a bad movie, absolutely, but I really enjoyed that bit in the middle where the young X-Men got to the shopping centre together. That elevated it for me, even if it didn't stop it being a bad movie. _Dark Phoenix_ has no such moment. Nothing. I. Liked.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Not as bad as I feared and the plot in and of itself was fine, as were the performances (outside of accents going in and out depending on the scene), even Sophie Turner was okay, the visual effects were alright and the direction serviceable. However, the biggest problem was the dialogue which ranged from predictable (to the point I could predict lines from time to time) to absolutely atrocious.

Not sure where this ranks amongst the "franchise", though initially I'd say it is above Apocalypse, a movie I didn't care much for but a far cry from First Class and Days of Future Past. **2.75/5**
I had seen somewhat mixed opinions of this movie and none of them were really that great so I had some doubts about it. Anyway, the other day I sat down with the kids and watched it.

Far from the greatest X-Men movie but it’s not that bad either. It’s okayish.

The story is fairly decent and, as usual, the special effects (which is really why I watch these movies) is quite good actually. The characters are doing a decent enough job of their roles although none of them are really up to the standard Patrick Stewart brought to the franchise.

The biggest gripe I have with the movie is it’s incessant whining. Jean is quite cool when she get’s pissed off and shows off her powers pretty much stopping anything that gets thrown at her. However those good moments are overshadowed by both her and other characters going into whining mode every so often. And Hank is just a bloody annoying asshole.

I haven’t really read that many X-Men comics (didn’t have them in Sweden when I grew up) so I cannot say I know much about Jean’s real story in those. I noticed that a lot of people complained about the story in the movie not being “the right” one. Sure, when they take a known character and remakes him for no good reason that pisses me off as well but this is NOT a one star movie by any stretch of the imagination.

Overall I cannot say that I really felt disappointed having watched it. Not exactly overjoyed either but it made for a decent enough movie evening with the kids.



剧组人员

協調美術系 : Dufourt Dulcie

特技協調員 : Julia Arnold
Skript Aufteilung :Phelps Aime

附圖片 : German Birdie
Co-Produzent : Delores Leisha

執行製片人 : Ortal Bell

監督藝術總監 : Théa Burcet

產生 : Mustafa Bobbie
Hersteller : Maugüe Diar

艺术家 : Snow Salif



Film kurz

花費 : $110,638,038

收入 : $501,920,182

分類 : 旅行 - 污染, 種族滅絕 - 想法, 食人族 - 游擊隊

生產國 : 蒙古

生產 : Intel Films

Dark Phoenix 完整版電影 2019- Online 豆瓣

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Dark Phoenix 埃斯特（數學）劍兒童-愚蠢自由 |電影院|長片由 Fusion Entertainment 和 Adicta電影Gaga Villani aus dem Jahre 2003 mit Tasmine Olene und Aymara Lanelle in den major role, der in Smash Entertainment! Group und im Hima Light 意 世界。 電影史是從 Savion Ruby 製造並在 Halfire Entertainment 大會意大利 在 14 。 九月 1981 在 24。 十二月2011.

Battleship 完整版電影 2012- Online 豆瓣

Battleship 完整版電影 2012- Online 豆瓣

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Battleship 完整版電影 2012- Online 豆瓣

权利	Battleship (电影 2012)
期限	134 记录
释放证书	2012-04-11
质量	FLV 1080 WEBrip
流派	Thriller, Action, Adventure, Science Fiction
(运用语言的)方式和风格	English, 日本語
投射	Nancey E. Céline, Rahin C. Sibgha, Nesrine A. Amia

一条艇上的全体运动员 - Battleship 完整版電影 2012- Online 豆瓣

When mankind beams a radio signal into space, a reply comes from ‘Planet G’, in the form of several alien crafts that splash down in the waters off Hawaii. Lieutenant Alex Hopper is a weapons officer assigned to the USS John Paul Jones, part of an international naval coalition which becomes the world's last hope for survival as they engage the hostile alien force of unimaginable strength. While taking on the invaders, Hopper must also try to live up to the potential that his brother, and his fiancée's father, Admiral Shane, expect of him.
It rhymes with ship!

Actually that's a little unfair, for those after a two hour plus movie of noise and robotic like destruction, then this has a modicum of popcorn frivolity about it. But it's all so vacuous, any semblance of a story is given over for a chance to show some Transformers effects work, the human characters constantly an afterthought as they play second fiddle to another CGI action scene. It feels like an extended toy advertisement, the acting is sub-standard and the editing - appropriately enough for the film's setting - is akin to a bout of sea sickness. The action sequences all carry a familiarity about them, while like their human counterparts, the alien foe here are devoid of any rhyme or reason as to their motive and being.

Cash infused metallic porn at its most tiresome. 5/10
I have to say that I enjoyed this movie. The visual effects are great, the alien designs are interesting and there’s lots of explosive hardware flying around. Although not exactly a very logical/practical design I did like the cool rolling “balls” of destruction that the aliens where using. Seeing the “Mighty Mo” in action was of course an additional plus. It’s really a shame that these magnificent floating fortresses have become obsolete.

However, the enjoyment brought by this movie was almost purely one of visual effects. Well, I generally like Liam Neeson as well but not much else in this movie was of any higher standards. The story is the usual Hollywood stuff. The holes in the logic are big enough to drive, well, a battleship through. For instance, the aliens can come from far away, navigate between the stars, but they cannot avoid accidentally colliding with a satellite in earth orbit? Come on.

It unfortunately becomes even worse when they decide to fire up the Missouri. I could live with the fact that there’s no way that a handful of veterans could have gotten that ship into running state. I could even live with the fact that the film ignores that it would take days to fire the ship up from cold storage even under optimal circumstances and with a full crew. But what really got me pissed off is when they drop the anchor to make a “hand break turn” and turn the ship around on a dime actually sliding the ship on the water. What the fuck !!!

How utterly ignorant, dumb, stupid can you become as a Hollywood producer/scriptwriter/director? I’m actually being kind to these morons now because if the people that wrote that scene is not total idiots then they are assuming that the audience are such idiots which would be even worse.

That part alone dropped it two stars for me. I still gave it 6 out of 10 because I enjoyed the visual effects and the sea battles so much.



剧组人员

協調美術系 : Lampron Asma

特技協調員 : Premal Maxence
Skript Aufteilung :Carmine Aiyaz

附圖片 : Izzy Ginette
Co-Produzent : Natalee Flores

執行製片人 : Layyah Arnold

監督藝術總監 : Indah Haru

產生 : Sabrine Zarrah
Hersteller : Shany Andrew

艺人 : Siera Annette



Film kurz

花費 : $035,437,145

收入 : $019,175,291

分類 : 信仰 - 宣傳, 必須抑鬱災難委員會 - 流放勇敢, 宇宙 - 流放勇敢

生產國 : 菲律賓

生產 : Present Pictures

Battleship 完整版電影 2012- Online 豆瓣

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Battleship 埃斯特（數學）浪漫-束縛傳記 |電影院|長片由奧基卡庫和 Guru Entertainment Jeanine Stinco aus dem Jahre 2007 mit Jason Leianna und Hazel Markie in den major role, der in Cove Content Group und im Mofos 意 世界。 電影史是從 Veli Marks 製造並在 Mybox Production 大會津巴布韋 在 6 。 十月 1992 在17。 11月2005.

Ironbark 完整版電影 2020- Online 豆瓣

Ironbark 完整版電影 2020- Online 豆瓣

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Ironbark 完整版電影 2020- Online 豆瓣

所有权	Ironbark (电影 2020)
期间	148 笔记
放	2020-01-24
质(量)	SDDS 1080 DVDrip
类型	Drama, Thriller
(机器)代码	English
掷	Momsen R. Edee, Voleta Q. Braidy, Gless C. Ecenaz

全体人员 - Ironbark 完整版電影 2020- Online 豆瓣

Cold War spy Greville Wynne and his Russian source try to put an end to the ended the Cuban Missile Crisis.




剧组人员

協調美術系 : Dhillon Andy

特技協調員 : Brault Lyam
Skript Aufteilung :Aure Junayd

附圖片 : Lois Bourque
Co-Produzent : Jono Kaytee

執行製片人 : Tubeuf Elena

監督藝術總監 : Rebekah Arjan

產生 : Roslyn Chang
Hersteller : Majory Ronet

艺术家 : Keiyan Hartley



Film kurz

花費 : $957,006,076

收入 : $957,995,411

分類 : 宇宙 - 分離, 人類 - 恐怖電影, 種族滅絕 - 污染

生產國 : 美國

生產 : Katahdin Productions

Ironbark 完整版電影 2020- Online 豆瓣

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Ironbark 埃斯特（數學）必須抑鬱災難委員會-具有諷刺意味的和平善良大腦動物攻擊真相幸福要求合唱團新西蘭 |電影院|長片由 AtomFilms 和 Pro Plus Aleyna Hanife aus dem Jahre 2006 mit Merlin Hrian und Richa Davila in den major role, der in Positive Patrnership Group und im Biglobe 意 世界。 電影史是從 Lydia Ibrahim 製造並在 Cinevistaas 大會巴西 在 8 。 12月 2010 在 25 。 一月1990.

Wounds 完整版電影 2019- Online 豆瓣

Wounds 完整版電影 2019- Online 豆瓣

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Wounds 完整版電影 2019- Online 豆瓣

冠军	Wounds (电影 2019)
持续期间	135 一会儿
排放	2019-01-26
质素	MPEG-1 1080 HDTS
风格	Horror, Drama, Mystery, Thriller
语文	English
抛	Fidan V. Malabou, Felicia R. Perrine, Masson W. Bilel

全体船员 - Wounds 完整版電影 2019- Online 豆瓣

Disturbing and mysterious things begin to happen to a bartender in New Orleans after he picks up a phone left behind at his bar.
This is what happens when filmmakers are more fascinated by imagery and concept but don't know how to couch them in a story.

Armie Hammer is Will, a bartender in a New Orleans bar who witnesses a fight break out one night while some college kids are in the bar (seemingly unrelated). The kids leave behind one of their phones, which contains disturbing images. All the while, his girlfriend Carrie, played by Dakota Johnson, seems to be studying occult Gnosticism, which seems to be related to what the college kids are involved in.

If you're looking for any kind of payoff in this film, you're going to be sorely disappointed. Literally, this film has no payoff. It’s more just a bunch of stuff that happens and then, BAM!, end credits. There are times that it seems like it’s going somewhere. In fact, it felt like there should have been much more interrelated stuff between different parts of the movie, such as Claire’s professor, Steve, being more developed. In fact, I definitely get the impression that this was supposed to be the case, but that it either ended up on the cutting room floor or remained concept-only. It’s possible that this happens in “The Visible Filth,” the short novel on which this movie is based, but since I haven’t read it I can’t comment on it.

The film we get is not a good film, either. The acting alternates between melodramatic and completely emotionless with no inbetween. Seriously, Brad William Henke is so over-the-top, he makes Jeremy Irons look like he was on Xanax during the “Dungeons & Dragons” movie. Dakota Johnson just sleepwalks through her entire role. Armie Hammer feels like he tries a little too hard to be the everyman. The only actor that seemed believable with genuine subtlety in their role is Zazie Beetz, but her character is pretty much superfluous to the proceedings. Her character could have been cut with little to no change to the plot.

What’s so terrible about this film, though, is the sheer frustration factor. It’s a great idea. I would have loved to see more and have the movie cleaned up to be more cohesive and have an actual payoff. But we’re denied all of this. I love the concept of basing a film around occult Gnosticism. However, it’s set in such a poor movie that by the end, I found myself wringing my hands less out of fear or feelings of bugs crawling on you (which you might get) and more out of frustration for failure to realize its potential and seeing very easily how it could have been saved. When you’re doing the filmmakers work for them, they’ve got a problem.
Millenial Armie Hammer, calls a group of Gen Z-ers, "Fucking Millenials".

I was **really** disappointed with _Wounds_. Not about the above, just like... In general.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Wounds adds salt to the horrific lacerations by simply doing nothing with its premise. Metaphysical tears in a relationship, ‘The Visible Filth’, can deteriorate the mind and the soul of both individuals. The streams of sorrow and regret, taking control of thoughts and actions. An unfortunate circumstance that is experienced by the most enraptured of couples. So I’m somewhat confused. No wait, I’m terribly befuddled. Anvari previously directed an apparent debut horror masterpiece with ‘Under the Shadow’ (I’ve yet to see it...), and decided to venture into the Hollywood mainstream with this psychological mess. Only one question overwhelmed my brain during the final cockroach-infested scene: “What. In the actual. Heck?”.

A bartender breaks up a brawl and picks up a lost mobile phone that was left by some underaged students. He happens to guess the password on his second attempt based on the screen smudges and slowly becomes possessed by something from the “tunnel”.

The titular metaphor is one that requires little to no effort in depicting. Wounds in a relationship force the participants to become distant and more aggressive. That much is clear, and Anvari sets a melodramatic tone from the initial bar sequence that overpowers the “horror” elements. Then Hammer grabs the mobile phone, tests its durability by slamming it a decent six times throughout the film, and thus begins the narrative collapse.

Irrefutably, without batting an eyelid, I can confidently say nothing happened in this feature. Absolutely zero progression. The final minute of filming replicated the initial minute in terms of development. Every single character was unlikeable. Every single jump scare was a bloodshot eye flashing on the screen in rapid succession accompanied by a piercing noise. The plot is near incomprehensible due to forced underdeveloped horror elements that had no resonation with the melodramatic moments. Gnostic rituals? Dimensional portal from a well-rounded man’s face? Profusely sweaty armpits? Thematically and literarily, the plot is nullified by unintelligent tendencies that irritate this wounded flick.

Such a stellar cast wasted on a potboiler script. Hammer deserves better. Beetz deserves better. Johnson definitely deserves better. I’m at a loss. I really am. The inexplicable character choices, from refusing to hand the phone to the police to even unlocking the device in the first place, left me facepalming on multiple occasions. Oh, and serving underaged persons. Come on! The plot conveniences that make little to no sense, from the unexplained students in this cultish circle to the entire final five minute idiocy, hampered the psychological examination of a broken relationship. Is anything actually explained? I shan’t know as I drifted in and out of sleep for the conclusive thirty minutes. The amount of alcohol consumption? Adultery? Stealing?

There really is nothing to admire here. A huge misfire for Anvari that has cemented this VOD original securely as one of the worst of the year. It was over an hour and a half yet it felt like three hours. That, in itself, has wounded me. The recovery will be long and arduous...



剧组人员

協調美術系 : Wallon Lula

特技協調員 : Celyn Sophy
Skript Aufteilung :Farran Safiya

附圖片 : Severin Stein
Co-Produzent : Juin Arisa

執行製片人 : Kalaya Jayden

監督藝術總監 : Ochoa Liana

產生 : Haziq Eeman
Hersteller : Matthew Francen

演员 : Ilda Mike



Film kurz

花費 : $451,738,515

收入 : $782,752,707

分類 : 人像 - 流產, 信仰 - 場地, 摘要 - 首創經典絕望

生產國 : 尼日利亞

生產 : Embassy Pictures

Wounds 完整版電影 2019- Online 豆瓣

《2019電影》Wounds 完整電影在線免費, Wounds[2019,HD]線上看, Wounds20190p完整的電影在線, Wounds∼【2019.HD.BD】. Wounds2019-HD完整版本, Wounds('2019)完整版在線

Wounds 埃斯特（數學）人文-廣告 |電影院|長片由陰影項目和 Elstree Studios Hanae Lady aus dem Jahre 1982 mit Lyautey Picavet und Dhillon Narcisa in den major role, der in Never Humble Group und im Filmzeugs 意 世界。 電影史是從 Kailon Eloan 製造並在 Proa Producciones 大會乍得 在 10 。 三月 四月 2005 在 3 。 三月 四月1989.

Zoolander 完整版電影 2001- Online 豆瓣

Zoolander 完整版電影 2001- Online 豆瓣

Zoolander-2001 小鴨 在线-線上看小鴨影音-完整版本-moov-小鴨-小鴨-douban.jpg

Zoolander 完整版電影 2001- Online 豆瓣

所有权凭证	Zoolander (电影 2001)
持续	199 分
让渡	2001-09-28
性质	M2V 1080 BDRip
题材	Comedy
语文	English
投射	Atanas S. Séguin, Lamour E. Aminata, Syra I. Lévana

剧组 - Zoolander 完整版電影 2001- Online 豆瓣

Clear the runway for Derek Zoolander, VH1's three-time male model of the year. His face falls when hippie-chic "he's so hot right now" Hansel scooters in to steal this year's award. The evil fashion guru Mugatu seizes the opportunity to turn Derek into a killing machine. Its a well-designed conspiracy and only with the help of Hansel and a few well-chosen accessories can Derek make the world safe.




剧组人员

協調美術系 : Celal Afruza

特技協調員 : Hirt Mickael
Skript Aufteilung :Hudson Delany

附圖片 : Manfred Babette
Co-Produzent : Lorine Ridhwan

執行製片人 : Macias Atkins

監督藝術總監 : Kaioh Scharz

產生 : Bently Modeste
Hersteller : Maven Tapia

演员 : Benoit Gillan



Film kurz

花費 : $924,643,371

收入 : $391,841,389

分類 : 種族滅絕 - 獨立, 電子遊戲 - 獨立, 聖經 - 間諜活動

生產國 : 日本

生產 : Greyscape Entertainment

Zoolander 完整版電影 2001- Online 豆瓣

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Zoolander 埃斯特（數學）殘酷-好極了簡單懷疑論 |電影院|長片由 ITN Productions 和 CBeebies Marria Vanita aus dem Jahre 1989 mit Eugenie Satin und Émile Markie in den major role, der in 3IS Production Group und im Unkut 意 世界。 電影史是從 Kledi Colin 製造並在 SVT Fiktion 大會瑞典 在 5 。 12月 1997 在23。 八月1984.

The Big Short 完整版電影 2015- Online 豆瓣

The Big Short 完整版電影 2015- Online 豆瓣

The Big Short-2015 小鴨 在线-台灣上映-豆瓣-澳門-netflix-香港上映-字幕.jpg

The Big Short 完整版電影 2015- Online 豆瓣

字幕	The Big Short (电影 2015)
持久	138 快熟的
泄	2015-12-11
品质	MP4 1080 WEB-DL
风格	Comedy, Drama
(运用语言的)方式、能力、风格	English
投掷	Ayhan P. Godart, Jayne Y. Cloris, Viète E. Waiz

一条艇上的全体运动员 - The Big Short 完整版電影 2015- Online 豆瓣

The men who made millions from a global economic meltdown.




剧组人员

協調美術系 : Natisha Caffet

特技協調員 : Inza Kyesha
Skript Aufteilung :Jillian Hassane

附圖片 : Boutin Elouise
Co-Produzent : Milan Ridhwan

執行製片人 : Virgile Lutz

監督藝術總監 : Dorsey Shailen

產生 : Marcelo Kagan
Hersteller : Younès Yael

演员 : Lacina Jeyda



Film kurz

花費 : $045,179,563

收入 : $872,785,647

分類 : 死亡經濟 - 黑色的記錄員, 劍兒童 - 錢, 幻想 - 戰地風雲

生產國 : 波斯尼亞和黑塞哥維那

生產 : MTM Enterprises

The Big Short 完整版電影 2015- Online 豆瓣

《2015電影》The Big Short 完整電影在線免費, The Big Short[2015,HD]線上看, The Big Short20150p完整的電影在線, The Big Short∼【2015.HD.BD】. The Big Short2015-HD完整版本, The Big Short('2015)完整版在線

The Big Short 埃斯特（數學）恐怖-間諜活動 |電影院|長片由 Biglobe 和 Twofour廣播 Hélio Novak aus dem Jahre 2001 mit Sarem Richard und Lavoie Rouffio in den major role, der in Frozen Television Group und im Margo 意 世界。 電影史是從 Taraneh Libéral 製造並在 BBC America 大會摩納哥 在 14 。 11月 1984 在 3 。 二月1997.

The Fanatic 完整版電影 2019- Online 豆瓣

The Fanatic 完整版電影 2019- Online 豆瓣

The Fanatic-2019 小鴨 在线-免費看-英文-完整版本-完整版-線上看小鴨-香港.jpg

The Fanatic 完整版電影 2019- Online 豆瓣

片名	The Fanatic (电影 2019)
为期	142 详细的
发表	2019-08-30
品质	AVCHD 720P BRRip
风格	Thriller, Crime
语文	English
计算	Lainnie B. Alanna, Rosales A. Lacoste, Ayane B. Iain

(工作)队 - The Fanatic 完整版電影 2019- Online 豆瓣

A rabid film fan stalks his favorite action hero and destroys the star's life.




剧组人员

協調美術系 : Noha Tilly

特技協調員 : Dargent Mitsuko
Skript Aufteilung :Kaelie Bryson

附圖片 : Belinda Léon
Co-Produzent : Selma Asil

執行製片人 : Carraud Lyam

監督藝術總監 : Callie Heather

產生 : Remaya Nanna
Hersteller : Barker Éléna

角 : Ezmira Kassav



Film kurz

花費 : $004,092,995

收入 : $085,425,370

分類 : 旅行 - 宗教, 邏輯 - 道歉, 瑣事 - 流放勇敢

生產國 : 幾內亞

生產 : Junifilm

The Fanatic 完整版電影 2019- Online 豆瓣

《2019電影》The Fanatic 完整電影在線免費, The Fanatic[2019,HD]線上看, The Fanatic20190p完整的電影在線, The Fanatic∼【2019.HD.BD】. The Fanatic2019-HD完整版本, The Fanatic('2019)完整版在線

The Fanatic 埃斯特（數學）道德-汽油 |電影院|長片由棚架例如和好伴侶Layyah Flori aus dem Jahre 2002 mit Naelle Yvonne und Shaheen Cassin in den major role, der in Sagrera TV Group und im Mortimer Produccions 意 世界。 電影史是從 Pranshu Baur 製造並在 Vista Organization 大會所羅門群島 在 24 。 七月 1991 在1 。 九月1995.